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                                     Kiwon 
                                    Park 
                                    b. 
                                    1964, born in Cheong-ju, Korea and based 
                                    in Bucheon, Korea. 
                                    Park 
                                    studied Art Education at Chungbuk National 
                                    University. Park re-creates an existent 
                                    space into a new illusory abstract space 
                                    by modifying its formal elements like texture, 
                                    surface, color, and the sense of volume. 
                                    His installations made by such minimal interruption 
                                    lead viewers to see the space and its old 
                                    border under a new light with a new perceptual 
                                    experience and cognitive understanding of 
                                    the space.  
                                    In 
                                    this exhibition, Park wraps the façade 
                                    of Korean pavilion with FRP boards under 
                                    the title of Diminish, Practically his aim 
                                    is to give a unifying look to diverse elements 
                                    appearing on the façade with a monochrome 
                                    color field. The final installation becomes 
                                    a sculpture in itself, but on a more fundamental 
                                    level, this piece will continue Park¡¯s 
                                    question on ¡®bordering¡¯ or ¡®zoning¡¯ 
                                    between inside/outside. The flow of installation 
                                    on the exterior seamlessly comes into the 
                                    interior, bringing along the moving flow 
                                    and gaze of spectators, hereby making the 
                                    distinction between ex/interior blurred. 
                                    This attitude is to see the subject and 
                                    object, object and background, the inside 
                                    and outside as a continuous whole. In traditional 
                                    Korean architecture, a house and is surrounding 
                                    landscape was a continuum and this concept 
                                    was metaphorically phrased, ¡°borrowing 
                                    a scene from nature.¡± Park¡¯s installations 
                                    create a new scene(landscape) by eliminating, 
                                    more accurately, redefining a physical ¡®border¡¯ 
                                    as the one on conceptual level. 
                                    - 
                                    Kiwon Park, Hot Place, 2004, golden transparent 
                                    vinyl, installation view at Marronnier Art 
                                    Center , Seoul  
                                    - 
                                    Kiwon Park, Level, 2002, transparent vinyl, 
                                    , installation view at Garam Gallery, Seoul 
                                    - 
                                    Kiwon Park, Move, 1996, transparent plastic 
                                    board with blue tint, installation view 
                                    at Gaain Gallery, Seoul  
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