Yiso
Bahc
b.
1957, born in Busan, Korea and dead in Seoul,
Korea, 2004.
Agreed
as one of the most important artists in
the Korean art of the 1990s, Bahc is gaining
even more attention and reputation from
the international art world after his death.
After his education in Korea, he studied
at the Pratt Institute, Brooklyn and stayed
in NY from 1981 to 1993. Taking his active
roles as an artist, organizer, theorist,
and art critic, then he called himself Mo(Korean
expression for anonymity) Bahc. His early
paintings and installations of the NY period
show he was most concerned with the issue
of twofold identity- an artist and a minority.
He even founded an alternative space, ¡®Minor
Injury¡¯, to turn his ideas into reality.
Upon coming to Korea, he was introduced
as an artist-theorist of postmodernism,
but soon recognized as a serious conceptual
artist to be invited by Havana Biennale(1994),
Gwangju Biennale(1997), City and Image(1998),
Yokohama Triennale(2001) and Venice Biennale(2003).
He retained a critical distance from the
rapid modernization and westernization of
Korea. But, his attention was more drawn
to the general concept of ¡®civilization¡¯
and its myths of ¡®progress¡¯ and ¡®growth¡¯,
than to specific political agenda. He struggled
to keep the creative mind and freedom of
an individual to the end. His last two posthumous
pieces, We are happy and Fallayavada were
realized based on the artist¡¯s notes and
drawings. The commissioner and all participants
of Korean pavilion present the work of Yiso
Bahc, not only to pay homage to him, but
also to commemorate him as a symbolic figure
who embodies the mind, spirit and attitude
of the age.
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Yiso Bahc, World Chair, 2001, mixed media
-
Yiso Bahc, Your Bright Future, mixed media,
dimensions variable, installation view at
2002 Hermes Misoolsang,
-
Gallery
HYUNDAI, Seoul
-
Yiso Bahc, The Sky of San Antonio, video
installation, mixed media, dimensions variable,
exhibition view at ArtPace,
-
San
Antonio, Texas
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