| 
                                       
                                 | 
                             
                            
                                | 
                                     Secret 
                                    beyond the door
  The title of 
                                    this exhibition, ¡®Secret beyond the door¡¯, 
                                    comes from Fritz Lang¡¯s movie of the same 
                                    title which was filmed in 1948. Lang took 
                                    the story from a fairy tale, Bluebeard's 
                                    First Wife, in which the lord of the manor 
                                    killed his wife every time one of his wives 
                                    opened the door of a prohibited room. Fritz 
                                    Lang recreated the original tale into a 
                                    Freudian version slightly tinged with noir. 
                                     Rather than making a direct reference 
                                    to the meaning of Lang¡¯s movie, this exhibition 
                                    uses its hidden components. Those include 
                                    not only a mysterious impression felt from 
                                    the title, but also the overall bizarre 
                                    fascination created from its background, 
                                    its structure, the characters¡¯ ambiguous 
                                    personality, and the disjointed sequences 
                                    among the scenes. These details of the movie 
                                    serve to create the atmosphere of this exhibition. 
                                        
                                 | 
                             
                         
                                 | 
                                
                        
                            
                                | 
                                       
                                 | 
                             
                            
                                | 
                                       
                                     'Secret 
                                    beyond the door¡¯ is an exhibition presenting 
                                    the ¡®attitude¡¯ and ¡®method¡¯ taken by 
                                    Korean contemporary artists in their efforts 
                                    to cope with the changes in Korean society 
                                    in its relationship with international art 
                                    scene. The fifteen artists on view are; 
                                    Beom Kim, Sora Kim, Gimhongsok, NAKION, 
                                    Sungsik Moon, Kiwon Park, Park Sejin, Yiso 
                                    Bahc, Young-Whan Bae, Nakhee Sung, Hein-kuhn 
                                    Oh, Jewyo Rhii, Yeondoo Jung, Choi Jeong-Hwa 
                                    and Ham Jin. The specific attitude and method 
                                    selected by these artists demonstrate trends 
                                    of transformation in Korean contemporary 
                                    art and cultural meaning newly achieved 
                                    in the process. This exhibition observes 
                                    Korean contemporary art from the local and 
                                    global context and, taking a step further, 
                                    attempts to imagine another dimension of 
                                    ¡®the beyond¡¯. Instead of focusing on the 
                                    oeuvres of a specific artist, this exhibition 
                                    aims to take a broader look of the very 
                                    scenes and context of Korean contemporary 
                                    art, from the perspective of its social-cultural 
                                    changes.  
                                 | 
                             
                         
                                 | 
                                
                        
                            
                                | 
                                       
                                 | 
                             
                            
                                | 
                                     
  Among 
                                    the fifteen invited artists, Yiso Bahc and 
                                    Choi Jeong-Hwa are main figures in defining 
                                    this exhibition¡¯s conceptual frame. In 
                                    this frame, this exhibition develops itself 
                                    to include those artists who accompanied 
                                    the two artists in the changes and younger 
                                    artists who have created their own voices 
                                    amid diverse conflicting stances toward 
                                    the two seniors. This exhibition provides 
                                    a whole view of various scenes, involving 
                                    interrelations of artists and art worlds. 
                                      
                                      
                                 | 
                             
                         
                                 |