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                                     Hein-kuhn 
                                    Oh  
                                    b. 
                                    1963, born and based in Seoul, Korea. www.heinkuhnoh.com 
                                    Oh 
                                    studied photography at the Brooks Institute 
                                    of Photography, CA, and photography and 
                                    cinema at Ohio University, OH. Oh¡¯s photograph 
                                    series of singers, actors, middle-aged married 
                                    women, girls, and Gwnagju story are not 
                                    far removed from the traditional black and 
                                    white portrait form. However, instead of 
                                    taking portraits of the subjects as they 
                                    look, he captures their exaggerate poses 
                                    and expressions, and he even captures their 
                                    self-consciousness and their intentional 
                                    ¡®acting¡¯.  
                                    The 
                                    series of Gwangju Story, is not documentary 
                                    photographs of the citizen¡¯s historical 
                                    uprising at the city, but the ones of amateur 
                                    voluntary actors acting at the set of a 
                                    film on the Uprising(titled Petal). More 
                                    interesting fact is that the fictive film 
                                    set was actually built in the real historical 
                                    background, and at this point, the dual 
                                    play of fiction and reality gets even more 
                                    complicated. His photographs seem circulating 
                                    in a chain of fiction and non-fiction, reproduction 
                                    and reality like in the Mobius strip. This 
                                    would be the reason for Oh¡¯s photographs, 
                                    in spite of their brilliantly realistic 
                                    details of the object, are suspended in 
                                    taut tension amid the gap between the self 
                                    and the viewer, the observed and the observer. 
                                    - 
                                    Hein-kuhn Oh, Father, Son and Daughter, 
                                    Sept 28 1995, Gelatin Silver Print, 68x68cm 
                                      
                                    - 
                                    Hein-kuhn Oh, A high school student acting 
                                    as a soldier on a fake tank, Sept 28, 1995, 
                                    Gelatin Silver Print, 68x68cm 
                                    - 
                                    Hein-kuhn Oh, Four Actors Waving a Korean 
                                    National Flag, Sept 28, 1995, Gelatin Silver 
                                    Print, 68x68cm 
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